When a dead couple needs help scaring the yuppies who move into their house, they turn to Michael Keaton’s ghost with the most in 1988’s Beetlejuice.
This week, we discuss Tim Burton’s bureaucratic vision of the afterlife, the oddly spelled star that’s Beetlejuice’s namesake, and the deus ex machina that ultimately saves the day. Plus Alan sings Harry Belafonte, and James talks about his Star Wars experience at South by Southwest as we see if Beetlejuice stands the Test of Time.
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